<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Videographers.io journal</title><link>https://videographers.io/blog</link><description>Original workflow guides and reviewed archive articles from IAM.</description><item><title>Useful answers for video-production buyers: an AEO content review</title><link>https://videographers.io/blog/aeo-future-video-marketing</link><guid>https://videographers.io/blog/aeo-future-video-marketing</guid><dc:date>2026-04-02</dc:date><description>Answer production questions clearly without promising search rankings, AI citations or automatic enquiries.</description></item><item><title>Remote video editing: write a brief another person can work from</title><link>https://videographers.io/blog/gig-economy-video-editing</link><guid>https://videographers.io/blog/gig-economy-video-editing</guid><dc:date>2026-03-31</dc:date><description>Define footage, review responsibility and delivery expectations before discussing a remote editing project.</description></item><item><title>Video editors: prepare a useful introduction for a project enquiry</title><link>https://videographers.io/blog/video-editors-remote-work-opportunities</link><guid>https://videographers.io/blog/video-editors-remote-work-opportunities</guid><dc:date>2026-04-01</dc:date><description>Explain your editing work and availability without presenting an unverified marketplace or guaranteed job offer.</description></item><item><title>Video-production marketing: build a profile a buyer can assess</title><link>https://videographers.io/blog/videographers-advertise-on-platform</link><guid>https://videographers.io/blog/videographers-advertise-on-platform</guid><dc:date>2026-04-02</dc:date><description>Prepare accurate production-business information, permitted examples and a clear enquiry route without promising leads or local coverage.</description></item><item><title>Before two editors share a Premiere Production: agree who owns the project</title><link>https://videographers.io/blog/premiere-productions-project-locking-handoff</link><guid>https://videographers.io/blog/premiere-productions-project-locking-handoff</guid><dc:date>2026-10-28T22:56:22-07:00</dc:date><description>An original planning guide to project ownership, editor handoffs and clear producer status when a team uses Adobe Premiere Productions.</description></item><item><title>Before the interview: rehearse the wardrobe, movement and sound together</title><link>https://videographers.io/blog/interview-audio-wardrobe-movement-rehearsal</link><guid>https://videographers.io/blog/interview-audio-wardrobe-movement-rehearsal</guid><dc:date>2026-10-29T10:43:59.844687-07:00</dc:date><description>An original interview-production planning guide to microphone placement discussions, a movement rehearsal and useful audio handoff notes.</description></item><item><title>Choose the background story before the interview aperture</title><link>https://videographers.io/blog/interview-depth-of-field-background-brief</link><guid>https://videographers.io/blog/interview-depth-of-field-background-brief</guid><dc:date>2026-10-29T10:57:15.079834-07:00</dc:date><description>A practical lens and depth-of-field planning guide: decide what the viewer needs to see, then rehearse focus and exposure with the actual setup.</description></item><item><title>Plan the lens configuration before the gimbal move</title><link>https://videographers.io/blog/gimbal-lens-configuration-movement-plan</link><guid>https://videographers.io/blog/gimbal-lens-configuration-movement-plan</guid><dc:date>2026-10-29T10:57:16.079834-07:00</dc:date><description>An original camera-movement preparation guide grounded in DJI’s model-specific balancing guidance, with a clear setup and change record.</description></item><item><title>Turn the event schedule into a priority shot list</title><link>https://videographers.io/blog/event-schedule-priority-shot-list</link><guid>https://videographers.io/blog/event-schedule-priority-shot-list</guid><dc:date>2026-10-29T10:57:17.079834-07:00</dc:date><description>A practical event-film planning guide that separates unrepeatable moments, useful supporting coverage and clear decisions when the schedule changes.</description></item><item><title>Use the retention curve to ask a better production question</title><link>https://videographers.io/blog/audience-retention-production-review-questions</link><guid>https://videographers.io/blog/audience-retention-production-review-questions</guid><dc:date>2026-10-29T10:57:18.079834-07:00</dc:date><description>An original video-marketing review method that treats audience-retention patterns as evidence to investigate rather than a guaranteed explanation of performance.</description></item><item><title>Put captions and transcripts in the production brief</title><link>https://videographers.io/blog/caption-transcript-delivery-production-brief</link><guid>https://videographers.io/blog/caption-transcript-delivery-production-brief</guid><dc:date>2026-10-29T10:57:19.079834-07:00</dc:date><description>An original accessible-media planning guide to deliverables, responsibilities and review before a film reaches the publishing handoff.</description></item><item><title>Keep the transcript tied to the approved cut: a corporate interview</title><link>https://videographers.io/blog/daily-transcript-version--corporate-interview</link><guid>https://videographers.io/blog/daily-transcript-version--corporate-interview</guid><dc:date>2026-11-10T01:58:38.239203+00:00</dc:date><description>A practical review for a corporate interview focused on speaker names, technical terms and an approved quotation.</description></item></channel></rss>